The things an aggressor routinely does in a war, turning off the water, the gas, electricity, internet, especially the internet, the Russians didn’t do any of these. I think because they don't want to make the lives of civilians impossible. It seems to me, they are trying to spare them as much as possible.
Tamas Lanczi, digital director, MTVA, 2022/04/09
I understand that the it’s in the US’s geopolitical interest to destabilize countries in the region, to drive a wedge between the V4 [countries], to make Hungary a pariah again, to silently pick apart from what's left of the intentionally crushed and weakened European Union, especially the patriotic nation-states. I understand everything. I understand why they want to turn off the Russian gas. Because the “selfless” US could immediately start selling their liquefied natural gas - magnitudes more expensive - sending tankers across the ocean, cost what it cost for the mislead Europeans
Philip Rákay, member of the Megafon-group, 2022.03.25.
At first glance, these do not sound like the government-sponsored narratives of an EU and NATO member state, yet in Hungary, the above is not even considered an extreme view.
Even before the war, Hungary had one of the most difficult media environments in the EU. Government interference in the advertising market, years of media capture and the subsequent construction of a centralized propaganda machine, coupled with SLAPPs and other forms of pressure meant PM Viktor Orban had firm control over much of the public discourse and the information space in Hungary.
PM Orban has spent a considerable amount of political capital over the past 12 years trying to persuade Hungarians that Russian president Vladimir Putin is not just a reliable partner but an important international ally, so when Russia invaded Ukraine during the final months of the Hungarian national election campaign, the government found itself in a difficult position.
Hungary relies heavily on Russian energy exports, especially gas, and deals with the Kremlin are portrayed as key for keeping the prices of household utilities relatively low. Russia is also supposed to build a new nuclear power station in the town of Paks in central Hungary, a project that is considered critical by the government.
If the government was to keep these deals alive, Hungary had to try to stay neutral, and on the best possible terms with the Kremlin. But neutrality is a tough sell even for domestic audiences in the face of Russian atrocities, so the Hungarian government’s propaganda machine started spreading misleading or false narratives diminishing or outright denying Russia’s responsibility for the invasion, implicitly - and, in some cases, explicitly - blaming the US for the conflict.
While some journalists and certain small NGOs did important fact-checking work from time to time, there were no systemic efforts by mainstream outlets debunking misleading or false narratives and routinely fact-checking statements by politicians until we launched lakmusz.hu (“lakmusz” is litmus in Hungarian) in January 2022.
Lakmusz is a dedicated fact-checking newsroom, part of the Hungarian Digital Media Observatory, a joint project by the French international news agency AFP, Magyar Jeti Zrt, the publisher of the popular news portal 444.hu and science-focused qubit.hu, and media researchers from ELTE university. The initiative is partially funded by the European Commission.
A little more than three month after the start of the project, it can already be considered as a success story. When we launched lakmusz.hu on the 11th of January, we were hoping to reach 1 million readers over the course of the following 12 months. It turns out the audience was waiting desperately for Hungarian language fact-checking: we reached 100.000 unique users within 7 days and 800.000 unique users 13 weeks into the operation on the website.
We published 93 pieces during our first 3 months. 40 of these were about issues connected to politics and the election campaign, 22 were about disinformation connected to the war, 13 debunked COVID related misinformation while the rest were about media literacy, 5G cellular networks and other issues.
Since the start of our unique project, that sees Magyar Jeti and AFP fact-checkers working together:
An interesting but challenging trend that we could see in the Hungarian context, but also worldwide, is the rise of what could be called “fact-mocks”, when people publish bogus fact-checks in order to spread misinformation and sow distrust about legitimate journalists producing real fact-checks. Here is one example: https://tenykerdes.afp.com/doc.afp.com.32487W3
Overall, out of all fact-checks published on lakmusz.hu, the 5 most popular pieces of content were:
Lakmusz began building a healthy following outside the website.
While most of the content was in the form of the traditional, text-based article, we began experimenting with new formats from early on.
After gaining power in 2010, the government of Viktor Orban began reshaping the Hungarian media environment. The Art of Media War - This is how Viktor Orbán captured the free press in Hungary (by our sister publication 444) details the evolution of this process.
By today, much of the mediaspace is captured with 3 large pro-government entities dominating the legacy environment.
All three entities are known for their hyperpartisan and often misleading or outright false content. MTVA is funded directly by the state while the outlets of KESMA and the TV2 network receive massive subsidies through state advertising.
A relative newcomer to the pro-government scene, the Megafon Digital Incubator Center mostly operates on social media platforms, which has so far seemed impossible to capture by the government’s “traditional” methods.
Megafon is recruiting and training social media influencers and journalists, and it is producing pro-government content specifically for social media platforms. They also promote the content they create: in fact, Megafon is the largest spender on Facebook when it comes to political ads. Since the launch of Facebook’s ad transparency library, Megafon was recorded spending more than HUF1.1 billion (EUR 2.94 million) on political ads.
Megafon’s funding is not transparent. They claim to be funded by “private donors” but a recent court ruling determined there is reason to believe they also use public funds.
Since the Russian invasion began on the 24th of February, we saw both the traditional media groups and Megafon used to amplify pro-Kremlin narratives about the war.
On the 24th of March, while attending a video conference with EU leaders, Ukrainian president Volodymyr Zelenksyy called out Hungarian PM Viktor Orban over his decision not to let weapons through to Ukraine and blocking sanctions on the Russian energy sector. A day later, the social media arm of the pro-government propaganda machine kicked into gear.
In addition to the government controlled entities, other, grayzone actors are also engaged in spreading disinformation about the war. The most significant is oroszhirek.hu (“Orosz hírek” translates to Russian News) and its Facebook page, both of which routinely publishes false and misleading information about the war. Despite clearly and repeatedly spreading false narratives, tech companies like Facebook or Google refuse to deplatform the page, but occasionally do remove false content.
On 3 April 2022, the ruling coalition Fidesz-KDNP won its fourth straight term in the Hungarian general elections, securing a two-third supermajority in the parliament.
Ahead of the election, the main narratives of the campaign - and breeding grounds for mis/disinformation - were expected to be LGBTQ rights and migration. In December, Prime Minister Viktor Orbán referred to these two topics as the most pressing issues of Europe. Politicians of the governing Fidesz party repeatedly used false claims and misleading statistics regarding both issues.
The Russian invasion of Ukraine on 24 February, however, heavily influenced the campaign narrative, and shifted the focus from domestic to geopolitical and security topics, while anti-opposition messages were intertwined with pro-Kremlin and anti-Ukrainian narratives, distributed and emphasized by the vast pro-government media ecosystem.
The messages included:
In the last week before the election (21-27 March), Megafon spent 72 million HUF on advertising, while the pro-government media company, Mediaworks Hungary Ltd. led the race with a 93 million HUF budget.
Ahead of the election, Lakmusz began a collaboration with Who Targets Me, which aims to create a crowdsourced global database of political adverts placed on social media. Over 1000 Hungarian users downloaded the Who Targets Me browser extension, offering a detailed insight into how political actors targeted users with political ads. Lakmusz is currently collaborating with Civil Liberties Union for Europe and the Hungarian Civil Liberties Union to analyze the data gained and investigate privacy concerns related to the targeting of political ads.
The Hungarian election campaign and the Russian invasion of Ukraine meant that the first quarter of operation was incredibly busy and high stakes. Due to these circumstances, the hard work of the newsroom and our partners, Lakmusz quickly became known for being a reliable source of information about the war and the election campaign and other important issues. We started to explore beyond traditional fact-checking. We are building capacities in media monitoring as part of a joint project with other European fact-checking organizations under the coordination of the German NGO RESET.
For the second quarter our goal is to finalize all internal workflows related to content creation, experiment more with new formats (podcasts, newsletters, potentially live video) and distribution channels, including finding ways to reach audiences in small communities and people who are otherwise not currently part of the core, news consuming audience.
by Blanka Zoldi, editor-in-chief and Peter Erdelyi, director
The Hungarian version of the report is available here.
(The two documents are not identical, as the English version provides more context about the Hungarian media scene.)